| Jane Ginsborg | Editorial |
| David Dolan John A. Sloboda Henrik Jeldtoft Jensen Björn Crüts Eugene Feygelson | The improvisatory approach to classical music performance: An empirical investigation into its characteristics and impact |
| Roger T. Dean Kirk N. Olsen Freya Bailes | Is there a ‘rise-fall temporal archetype’ of intensity in the music of Joseph Haydn? The role of the performer |
| Amanda Glauert | “Do you know the land?” Unfolding the secrets of the lyric in performance |
| Nigel Nettheim | The reconstitution of historical piano recordings: Vladimir de Pachmann plays Chopin’s Nocturne in E Minor |
| Martin Blain | Composition-as-research: Connecting Flights II for Clarinet Quartet – a research dissemination methodology for composers |
| Biranda Ford | Approaches to performance: A comparison of music and acting students’ concepts of preparation, audience and performance |
| Lauren Victoria Hadley | Conference Report: Performance Studies Network Second International Conference 2013 |
Theoretical and Empirical Research on Musical Performance