| Contents | |
| Katrina M. Rivera Lillian Smyth Susan West Georgia Pike-Rowney | From mice to music: a historical critique of optimal arousal in music performance (Vol. 13, 1-37) |
| Thomas Geudens Thomas De Baets | “Write for the trombonists, not the trombones”: the FACETS-framework for performer-oriented orchestration in amateur or student bands and orchestras (Vol. 13, 38-58) |
| Roy Howat | Tenuto ties and slurs in Chopin’s Etudes (Vol. 13, 59-71) |
Theoretical and Empirical Research on Musical Performance