| Jane Ginsborg | Editorial |
| David J. Wright Paul S. Holmes Martin Blain Dave Smith | Preliminary evidence for reduced cortical activity in experienced guitarists during performance preparation for simple scale playing (2-11). |
| Tanja Orning | Pression – a performance study (12-31). |
| John Rink | Guest Editorial (32-33). |
| Mine Doğantan-Dack | The art of research in live music performance (34-48). |
| Alan Maddox | The performance of affect in recitativo semplice (49-58). |
| Michael Callahan | Incorporating long-range planning into the pedagogy of Baroque-style keyboard improvisation (59-78). |
| Sophie Grimmer | Creativity in perpetual motion: Listening in the development of expertise in the Karnatic classical singing tradition of South India (79-95). |
| Roger Heaton | Contemporary performance practice and tradition (96-104). |
Theoretical and Empirical Research on Musical Performance