| Antonia Ivaldi Jane Ginsborg Clemens Woellner | Editorial |
| Julian Hellaby | Modifying the score (1-21) |
| Marko Aho | “Almost like the real thing”: how does the digital simulation of musical instruments influence musicianship? (22-35) |
| Dorottya Fabian Emery Schubert | Baroque expressiveness and stylishness in three recordings of the D minor Sarabanda for solo violin (BWV 1004) by J.S. Bach (36-55) |
Theoretical and Empirical Research on Musical Performance