| Antonia Ivaldi Jane Ginsborg Clemens Woellner | Editorial |
| Gabriele Wulf Adina Mornell | Insights about practice from the perspective of motor learning: a review (1-25) |
| Rosie Burt-Perkins Janet Mills | The role of chamber music in learning to perform: a case study (26-35) |
| Susan L. Phillips Sandra Mace | Sound level measurements in music practice rooms (36-47) |
| Daniel Barolsky | Embracing imperfection in Benno Moiseiwitsch’s prelude to Chopin (48-60) |
Theoretical and Empirical Research on Musical Performance