| published in collaboration with Rivista di Analisi e Teoria Musicale and the Gruppo di Analisi e Teoria Musicale | |
| Contents | |
| Alfonso Benetti Aoife Hiney | Art-cycle model: a holistic approach toward artistic experience in music performance (Vol. 12, 1-21) |
| Gabriel Jones | Empirical Approaches to the Performance Analysis of New Music (Vol. 12, 22-46) |
| Oliver Rudland | ‘Four forms of co-creativity’: A framework for the analysis of artistic research as musical composition (Vol. 12, 47-79) |
| Eric Maestri | Those little things that cannot be reduced to the whole that make art a form of research (and vice versa): Composing-listening-playing is the same kind of thing (Vol. 12, 80-94) |
| Paul Craenen | Creative and social intentions in research proposals of music performance students. A reality check of curriculum discourse in higher music education. (Vol. 12, 95-126) |
Theoretical and Empirical Research on Musical Performance