Mine Dogantan-Dack
Jane Ginsborg | Editorials |
| Ana Llorens | Recorded asynchronies, structural dialogues: Brahms’s Adagio Affettuoso, Op. 99ii, in the hands of Casals and Horszowski |
| Cecilia Oinas | Harmonic evasions and their shaping in performance: The opening movement of Schumann’s G minor Trio |
| Uri Golomb | Doubting the Resurrection? Questions and dilemmas in performances of the first ‘et expecto’ from Bach’s Mass in B minor |
Amanda Bayley
Neil Heyde | Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance |
| Andrew Sutherland | School and university collaboration: A case study of a performance of Britten’s War Requiem |
Patricia Holmes | Towards a conceptual framework for resilience research in music training and performance: A cross-discipline review |
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