Volume 8 Including Performance and Analysis Special Issue

Mine Dogantan-Dack
Jane Ginsborg
Editorials
Ana LlorensRecorded asynchronies, structural dialogues: Brahms’s Adagio Affettuoso, Op. 99ii, in the hands of Casals and Horszowski
Cecilia OinasHarmonic evasions and their shaping in performance: The opening movement of Schumann’s G minor Trio
Uri GolombDoubting the Resurrection? Questions and dilemmas in performances of the first ‘et expecto’ from Bach’s Mass in B minor
Amanda Bayley
Neil Heyde
Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance
Andrew Sutherland School and university collaboration: A case study of a performance of Britten’s War Requiem

Patricia Holmes
Towards a conceptual framework for resilience research in music training and performance: A cross-discipline review